Regional Modernism
ArmArch journal, 2018, July

THE NATIONAL AND THE NATIONALISTIC IN SOVIET ARCHITECTURE: Interview with ethnographer Levon Abrahamyan

Levon Abrahamyan
National is what a given group of people perceives as theirs. Such self-identification obtained definition as national during the last several decades, before then it was the ethnic which was perceived as national.
Regional Modernism
ArmArch journal, 2018, July

ARCHITECT JIM TOROSYAN: TRADITION IN MODERNIST ARCHITECTURE: Interview with architect Davit Stepanyan

ArmArch
Davit Stepanyan
ArmArch: How did Torosyan, after all, unite the traditional and modernist architectural principles? Davit Stepanyan: He possessed perfectly well modernist design principles, which are present in Armenian medieval architecture as well-structural thriftiness, simplicity, overall integrity and unity of function and construction, etc.
Heritage and Culture

History or Imitation of History: the Reconstruction of the Bridge of Garni

Yeva Ess
In 2006 the Ministry of Culture undertook the reconstruction work of the bridge of Garni. The purpose was to reinforce the bridge and return its original feature by means of certain reconstruction. But defining what its original feature was and how the bridge should be reconstructed has turned into a matter of debate.
Regional Modernism

Two Masterpieces of Raphael Israelyan: Keeping Identity from the Socialist Realism to the Soviet Modernism

Nune Chilingaryan
The movement of Armenian Soviet modernism began to develop in the mid 1960s. Initially it had the character of a few clumsy imitations of Western modernist concept. But very soon , just as in the case of Social Realism, it acquired individual forms, has gained national traits and was enriched with purely local methods of artistic expression.